Warren Hood with special guest Emily Gimble

Warren Hood: People ask Warren Hood a lot of questions at the end of a show – what was the name of that song you played – it sounded like Stephane Grappelli maybe, right after the Doug Sahm cover? How did you learn to play fiddle like that? Are you playing anywhere else this week? How old are you? Warren always obliges to answer all of the questions, that’s just his character (the answers are usually something like, “Black Cat”, hard work and listening to the right records, yes, definitely, and older than you think). He cares deeply about the experiences of the people who come to his shows and buy his records and works hard to create memorable live performances and albums. Warren started playing classical violin at age 11 in the school orchestra, later studying privately with Bill Dick. He won classical music competitions, including the Pearl Amster Youth Concerto Competition and the Austin Youth Award, which gave him the opportunity to perform as a soloist on “Lalo Symphonie Espagnole” with the Austin Symphony, conducted by Peter Bay. Warren later balanced studying at Austin High with touring with Charlie Robison and the South Austin Jug Band. After high school, Warren earned a rare scholarship to Berklee College of Music where he majored in Violin Performance, played with Steven Tyler and formed an acoustic string band, Blue Light Special. At Berklee, Warren earned the coveted String Achievement Award, an award chosen by faculty to honor talent and as a vote of confidence on future success. Emily Gimble: The best storytellers always do a careful dance. Details offered, details withheld. Drawing you in one raised eyebrow at a time, whispering here, bellowing there. Are you listening? These are secrets being told, not to mention joys, sighs, even – if you can detect them – sly bits of advice. Lean into it. Close your eyes. They’ll carry you softly home. It’s a dance singer-songwriter Emily Gimble performs on her debut album “Certain Kinda,” with songs as soulful as they are winsome, broody as they are beautiful. It makes sense for a woman who grew up with music in her blood, singing and playing on-stage since she was seven years old. Maybe it couldn’t be helped: when your dad is Dick Gimble, beloved guitarist and upright bass player, and your grandfather is Johnny Gimble, one of the most beloved fiddle players of all time, there’s really no choice but to play, is there? Piano beckoned Emily early on – in fact, the Austin Music Awards named her “Best Keyboards” of the city three times (2013, 2014, 2018) – as did another instrument, full of natural range and feeling: her voice. “A Case of the Gimbles,” the 2005 album she recorded with her father and grandfather, showcased her vocals and launched Emily on a national family tour, playing folk festivals and charming audiences across the country. “The time I got to spend traveling around the country playing music with my Dad and Grandpa are the most cherished musical memories of my life,” says Emily. “It was then that I really started learning how to communicate through music, speaking with my dad and grandpa through solos and spaces on stage.” It wasn’t long before other musicians started to take notice of Emily, including Marshall Ford Band, where she romped on some western swing, and Warren Hood and the Goods, where she explored jazz, country, folk and pop. In 2012, that band started touring nationally, then went on the road the next year with Hayes Carll as his backing band. 2013 would also see the release of a record, “The Warren Hood Band,” produced by Charlie Sexton, and in 2014, Emily joined the iconic, Grammy Award-winning country band, Asleep at the Wheel. It was an opportunity that put Emily in touch with a lot of her heroes: nothing beats playing on “Austin City Limits” (twice), except maybe for recording a duet with one of her idols, Merle Haggard.